/* * Cafe — a coffee shop storefront: a dark rail of navigation on the left, and the * shop's day laid out on warm paper beside it. * * A theme ships its own CSS because site-runtime's Tailwind only ever scanned its * own source: a theme installed later is invisible to it. So this file is plain, * self-contained CSS, scoped under `.zcaf`, and it never styles a bare element * outside that scope. * * Dark mode is the platform's: the runtime sets `data-theme` on before * first paint and the theme only declares the palette for each mode. Nothing here * branches on the mode in markup, which is what makes the switch flash-free — and * where a *different asset* is needed per mode (the footer wordmark), both are * rendered and CSS picks, rather than the server guessing. */ .zcaf { --zcaf-accent: #8a4b2a; --zcaf-gold: #d7a469; --zcaf-ink: #2b1d15; --zcaf-ink-soft: #5d4a3e; --zcaf-ink-faint: #8e7c70; --zcaf-paper: #faf6f0; --zcaf-surface: #ffffff; --zcaf-surface-warm: #f4ede3; --zcaf-line: #e9dfd2; /* * The rail, as its own pair rather than as `ink` on `paper`. * * In light mode "dark background, light text" IS ink on paper, which is why the * shorthand was tempting. In dark mode both of those tokens flip, so the rail * ended up near-black text on a near-black panel: legible in every screenshot * taken in light mode and invisible in the one that mattered. A surface that is * dark in BOTH modes needs a foreground that does not follow the theme's. */ --zcaf-rail-top: #3d2618; --zcaf-rail-bottom: #2a180f; --zcaf-rail-fg: #f5e9dd; --zcaf-shadow: 0 18px 40px -28px rgba(58, 36, 22, 0.55); --zcaf-shadow-card: 0 10px 30px -22px rgba(58, 36, 22, 0.5); --zcaf-radius: 20px; --zcaf-radius-lg: 26px; --zcaf-radius-sm: 12px; --zcaf-rail: 248px; --zcaf-max: 1240px; background: var(--zcaf-paper); color: var(--zcaf-ink); font-family: ui-sans-serif, system-ui, "Segoe UI", "Noto Sans", Roboto, sans-serif; font-size: 16px; line-height: 1.6; -webkit-font-smoothing: antialiased; } :root[data-theme="dark"] .zcaf { --zcaf-ink: #f4ece3; --zcaf-ink-soft: #cbb9a9; --zcaf-ink-faint: #9c8a7c; --zcaf-paper: #17110d; --zcaf-surface: #211812; --zcaf-surface-warm: #2b1f17; --zcaf-line: #3a2b21; --zcaf-rail-top: #241610; --zcaf-rail-bottom: #150c07; --zcaf-shadow: 0 18px 40px -28px rgba(0, 0, 0, 0.85); --zcaf-shadow-card: 0 10px 30px -22px rgba(0, 0, 0, 0.8); } .zcaf *, .zcaf *::before, .zcaf *::after { box-sizing: border-box; } .zcaf h1, .zcaf h2, .zcaf h3 { font-family: ui-serif, Georgia, "Times New Roman", serif; font-weight: 600; line-height: 1.2; letter-spacing: -0.01em; margin: 0 0 0.5em; } .zcaf h1 { font-size: clamp(2rem, 1.3rem + 2.4vw, 3.1rem); } .zcaf h2 { font-size: clamp(1.45rem, 1.15rem + 1.2vw, 2rem); } .zcaf h3 { font-size: 1.05rem; } .zcaf p { margin: 0 0 1rem; } /* * The default for a link, held at the specificity of a class it can lose to. * * Written as `.zcaf a` this rule outranked every single-class rule below it — * `.zcaf__button`, `.zcaf__text-link`, `.zcaf__promo--feature` — because a type * selector beats nothing. So a button that was a